Friday, 30 November 2012

Oasis


Vicky strode out of the office, paused for a few seconds on the sidewalk, ripped off his tie and stuffed it into his attaché. Then he turned right and headed up the street. It wasn’t a busy street. A few houses, a few shops, a few nondescript offices that only the employees who work there, go into. The only item of attraction on the street was the Indraprastha cinema hall. In its prime, the theatre drew people like moths to a flame. These days, it was obvious that it had seen better days. Dark red paan-juice littered the severely dilapidated entrance, made redder by the scarlet neon lighting screaming “Indraprastha” and “Entry”. The interiors were no better, riddled with flea-infested seats and smelling strongly of urine. New films were rarely screened any more, and the owners tended to rely on old faded prints of Deewar and Sholay to bring in nostalgic crowds who had nothing better to do in the evenings.

Opposite the theatre was a petrol pump which did little business because of the lack of traffic on that street. Adjoining the pump was a line of stalls selling assorted goods from toothpaste to cigarettes to slightly mouldy-looking fruit. One of those stalls belonged to Tau. Tau sold egg rolls and vegetable chops, and did brisk business among the cinema-goers. He was an old man, creases running to and fro all over his huge pockmarked battlefield of a face. No one knew exactly how old he was and by looking at him, you couldn’t tell if he was sixty or ninety. His hands were swift, his food good and his prices were low. Ergo, he was popular.

When Vicky strode over to his stand, Tau greeted him with a grunt, and brought out a stool for him to sit on. The other stall-keepers raised their hands in greeting to him too. He was obviously a regular. Vicky sat down on the stool, dropped his attaché behind him, and lit a cigarette.

“Busy day, huh?” he asked Tau.

“Yeah more people than usual. Indraprastha is showing a new Shah Rukh film today,” replied Tau.

“Seems like you should start praying to him then. More profits for you,” Vicky remarked dryly. Tau snorted derisively in reply.

Tau’s stand had been Vicky’s regular haunt for quite a few years, his little oasis of idle talk and companionship. His parents had been dead for quite some years, and he had no siblings, or any other close family. He lived in an apartment building two miles away from his office, in an extremely dingy, very cheap area near the docks. The apartment adjacent to his was occupied by an extremely dysfunctional family; crying and quarrels were the regular aural menu. Not surprisingly, Vicky chose to go home late, late enough to ensure that the sweet family next door was sound asleep or dead drunk. This, however, freed up his evening with nothing to do. Most of his friends at the office were married, and hurried home as soon as they could, and even after fifteen years in the city, he had not really got the hang of going to nightclubs and pubs to socialize. He had discovered Tau’s stand two years before. He liked the food, and he liked talking with Tau and the other stall-keepers. Sometimes he went to Indraprastha too. He liked sleeping in the flickering shade of Amitabh Bachchan and Shashi Kapoor trading insults on the big screen in front of him. It was very soothing.

"Balram came here in the afternoon, smoked a bit, and told me about the municipality's recent plans," Tau said quietly. Balram was his nephew, who worked as a peon in the central municipal office. "They are probably going to close up the stalls around here, a new mall's supposed to be coming up in the area. The company who has bought the plot doesn't want us around. We'll probably be out of here by the end of spring."

Vicky was stunned. "Where will you go?"

"Probably back to my village," Tau said, with a smile. "You should start looking for some other place to spend your evenings. You young people. I had a lot of friends when I was younger. Never had a problem about spending my evenings....." and he went on about how TVs and whatnot had populated Vicky's generation with loners. Vicky was not listening. He blew out rings of smoke, and thought....


                                                    *********************


To avoid public spectacle, all the stall-keepers vacated their usual places well before the end of spring. Vicky felt like he had lost an anchor. He had not realised that he was so dependent on their companionship. It is only in the absence of things or people we like, that they attain a legendary status in our mind. We ascribe imaginary attributes to it, thus magnifying its pull over us and deepening our misery. It is fascinating how the human mind, otherwise chock-full of instincts of self-preservation, is so hopelessly kamikaze and naive in matters of the heart. There is no defense mechanism against missing someone. In the days after Tau's departure, Tau's food seemed the best in the world, his stand a place of unmatched quiet companionship and Tau himself seemed the most humane and sincere person Vicky had ever met.

He started going home early, and became somewhat habituated with the periodic yelling emitting from the adjoining flat. Sometimes, he walked around different streets, looking at the storefronts and the passers-by. But he was bored. One day, walking down one of the busiest streets in the city, he heard someone call him.

"Vicky, hey, over here!" It was Vicky's colleague Sanjay. Sanjay was about five years junior to him, but his educational qualifications were far better, and when he was transferred to Vicky's office, Sanjay held a higher designation than Vicky. Sanjay was well-liked in the office, and was popular with the old and young alike. Sanjay and Vicky weren't friends, but they knew each other well and nursed no grudge against each other.

"Hey, Sanjay!"

"I usually never see you around here. Do you come to this lounge often? I've never seen you there, and I come here all the time," said Sanjay.

"Lounge?" asked Vicky, and looked around to see that he had stopped right in front of the entrance to a popular lounge-pub called Piranha. Vicky had never visited it, had in fact seen no reason to. "Uh, no... I was just walking by."

"Are you going somewhere important?" asked Sanjay. Vicky wondered if he should reply in the affirmative, and walk away quietly muttering one excuse or another. But why bother? He might as well accompany Sanjay into the lounge, and have a few drinks or something. "Uh, no, not really. I'm just taking a walk"

"Come with me, then. I'll introduce you to my friends."

They went in. The lounge was beautifully furnished with semi-private alcoves fitted with comfortable sofas and round glass tables. The lighting was tastefully muted, and the decor in beige and brown was appealing. Huge abstract art pieces and the usual standard pictures of Jim Morrison, Che Guevara and Jimi Hendrix stared down from the walls. Waiters in waistcoats carried trays of drinks and food to the customers, who were all mostly in their late teens to early thirties.

Sanjay steered Vicky to a table where four of Sanjay's friends were reclining on sofas. They raised their hands in greeting to Sanjay, and Vicky was introduced to them, and was offered a cigarette.

“Is this a Marlboro?” he asked, turning the stick of nicotine around his fingers.

“Yeah,” answered Sanjay. 

“Hmmm, this is the first time I’m actually going to smoke one of these things,” said Vicky, lighting the cig and taking a long, deep puff. He looked around the room, basking in the quiet glow of the shaded lamps, listening to the rivulets of conversation flowing past his ears. This was nice. He could get used to this. This crowd which reeked of all that was fashionable. No more cups of tea at Tau’s stall for him.

But he wasn’t quite a member of this set, was he? He could understand little of what Sanjay and his friends were talking about. Something about someone he didn’t know. He tapped the Marlboro over the ashtray some more. He was quickly getting bored. And then he started thinking. Soon they would include him in their conversation. What would he, what could he talk about? Was it likely that they would share some tastes or interests? It didn’t seem so. These were obviously young, rich professionals, the jet-set crowd, the smiling poster-boys of India Shining. Would he really fit in with them? This was a stratum of society he was not familiar with.

Oh God, then they would ask him where he lived, and he would have to lie (unconvincingly) or tell the truth (shamefully). Or maybe… he thought, as a new more ghastly explanation came to mind, maybe he was to be their clown for this evening, Maybe this was a regular occurrence. Maybe they brought in bumpkins every now and then and made fun of them. He could hear the muffled laughs already. He could hear the wheels of their minds whirring, as they thought up a plan to torment him. Maybe that’s what they were talking about. Oh God, oh God, why had he come in? Didn’t he know that the moment he tried to become ‘one of them’, he would encounter devastating embarrassment? He would have to creep out of this place with his tail between his legs.

Vicky felt the room becoming increasingly uncomfortable. The decor, which he had found striking when he had entered, now felt tasteless and dull. The beer in his hand smelled like rotten eggs. All the customers seemed to be radiating their contempt towards him, for destroying the ambience with his banal self. His clothes seemed inadequate to the place. Every snigger, laugh or chuckle in the room seemed to be directed towards him. Eyes seemed to be turning quickly towards him. When this situation became intolerable, Vicky muttered an excuse about visiting a sick aunt, and almost ran out of the place, without stopping to hear the protestations from Sanjay and his gang.

Outside in the stuffy evening air, he took large deep breaths, and cooled his frayed nerves somewhat. He bought a cigarette (a simple Gold Flake this time) from a shop nearby, and was reminded of Tau. He felt a mixture of nostalgia and disgust. He brushed the thought away. In the darkening light, he lit his cigarette. It burst to life, glowing bright as a firefly as he took a deep soothing pull, held in the smoke, and blew it out through his nose.

Then, he walked on, faceless in the crowd.

The Boy In The Photograph


His stare solemn from behind the frame,
His child eyes unknowing;
Flanked by kin, Life’s game
Is but a distant wind a-blowing.
Sepia tints the sudden smiles,
The gaudy hues, the bright lights;
Since then have passed years and miles.
But still on stormy windy nights,
He ponders alone what could have been,
The distant grass temptingly green.


To reach into the past, and to change it all,
And tell the little boy how to live his life,
To warn him of mistakes big and small,
To impale defeat on the edge of a knife.
Oh, to give him all the best advice,
And to warn him to never put a foot wrong,
Nothing to him, then, would be a surprise,
For he’d know everything all along.
Oh, for a Destiny where one has no part to play,
Oh, for a Life awash forever in the clearest light of day.


But the boy in the photo hears him not.
His eyes not see Life’s mysterious plan.
He’ll stagger and fall more often than not,
And brush off his wounds to become a man.
Of mistakes, he will have his share,
Regrets he’ll have more than a few,
And encounter much for which he will not prepare,
He’ll look back in sorrow, and want to start anew.
But success is sweeter for the stumbles along the way,
The departing night makes bright the light of imminent day.

On second thoughts, it’s better this way.

10 Underrated Movies You Should Watch


1. AFFLICTION: - I keep telling people to see this one. Paul Schrader's directorial debut, starring a volatile Nick Nolte and a transcendent Oscar-winning James Coburn. This film is very much the spiritual sequel to TAXI DRIVER.
2. HIGH FIDELITY: - John Cusack's loving tribute to music snobbery and real-world romantic relationships. A magnificent, musical journey into the heart of love.
3. GHOST TOWN: - A comedic take on the premise of THE SIXTH SENSE, but far far from a banal spoof, this romcom starring Ricky Gervais, Tea Leoni and Greg Kinnear, is one of the best comedies I have ever seen.
4. YOU KILL ME: - A sardonic black comedy starring Ben Kingsley, Tea Leoni, Luke Wilson, Philip Baker Hall and Dennis Farina, about a drunk hitman who goes to Alcoholics Anonymous to fix his drinking problem, so that he can go back to killing people.
5. THE ROYAL TENENBAUMS: - A powerful, howlarious film from Wes Anderson starring a magnificent cast including Gene Hackman, Anjelica Huston, the Wilson brothers, Bill Murray and Gwyneth Paltrow, about the strength (and weaknesses) of family and how childhood scars often shape the adults we grow up to be.
6. ALFIE (1966): - Michael Caine provided the basis for countless films to follow which made use of his breaking-the-fourth-wall and involving the audience in the discussion technique, from FERRIS BUELLER'S DAY OFF to HIGH FIDELITY.
7. CONVERSATIONS WITH OTHER WOMEN: - A blisteringly good, visually and aurally exquisite romcom starring a pre-fame Aaron "Two-Face" Eckhart and Helena Bonham Carter; a majestic treatment of love, loss, regret and second chances.
8. DOUBT: - A volatile, deeply involving, gripping drama starring Philip Seymour Hoffman, Meryl Streep and Amy Adams, about a pastor suspected of molesting the first black student of a Catholic school in the early 1960s.
9. LARS AND THE REAL GIRL: - An incredibly sweet, funny, touching romcom starring Ryan Gosling and Emily Mortimer, about a shy man who buys a sex doll online and begins to believe that the doll is his girlfriend.
10. DEAD MAN'S SHOES: - A brutal, savage film from Shane Meadows starring the superlative Paddy Considine, about a discharged soldier, who comes back to his hometown to terrorize the bullies who hurt his mentally retarded brother.

Honorable Mention: -
MARY AND MAX: - A wonderful animated film, starring Toni Collette and Philip Seymour Hoffman, about two penfriends-- an Australian elementary schooler and a fat depressed man in New York, and their wonderful friendship over several years.

WONDER BOYS (2000)


Writers are fascinating creatures. The process of writing something, whatever, a book, a short story, it's a complicated process. And a lonely, sometimes dispiriting one. The reward is the pride of having brought something into the world which would never have existed without you. Writers are secretive, egoist, jealous and deeply, deeply insecure about their work and their abilities. Having had writing ambitions since the first time I realized, years ago, all you needed to write was a pen, some paper and an idea, and having been around others who hold such ambitions too, I am familiar with the psychology of this weird clan of people. And WONDER BOYS is one of those rare films, (like THE SQUID AND THE WHALE) that get it perfectly right.

It deals with a middle-aged creative writing professor (which, along with journalism, is something many writers do as a sort of front, a day job to maintain the illusion of standard working hours), called Grady Tripp (Michael Douglas, transcendent), who is stuck in a rut. His wife is leaving him, he is almost constantly on drugs, he is having an affair with the chancellor of his college, who is the wife of the Head of the English Dept, his last novel THE ARSONIST'S DAUGHTER (very cool name) was a tremendous critical success, but that was seven years ago and the follow-up is a 2700 page (and counting) behemoth which he has no idea how to end.

Into this mess comes severely depressed, compulsive liar, genius young aspiring writer James Leer (Tobey Maguire, mesmerizing) who takes Grady on a surprisingly fucked-up weekend, involving dead dogs, weed, Marilyn Monroe's wedding jacket, several manuscripts, a transvestite, a stolen car, the stolen car's angry owner who doesn't like being called Vernon, and a literary festival.

I hope this doesn't make it sound like an art film, or a film only for lit buffs. The film benefits from a psychotically brilliant screenplay, which is one of the best I have EVER seen. Line after exceptional line. Sample this.

Grady: - He said some things that led me to believe that the car was his.
Crabs: - Such as?
Grady: - "That's my car, you motherfucker!"

The acting dept is outstanding. Michael Douglas steals the show with an understated, full of insecurities, trying his best not to let his life fall apart. Tobey is unexpectedly good, mysterious and very weird. Frances McDormand is exquisite as Douglas' love interest, who is unwilling to wait forever. Also of note is Douglas' gay editor Crabs, played by Robert Downey Jr. with his trademark ebullience.

A damn near-perfect dramedy, a fantastic character study, this is to writers what ALMOST FAMOUS was to rockstars.

8/10.